Der „bewaffnete Kampf“ jenseits der Offender-victim ideology
in the Leipzig Documentary Film weeks:
"No island. The Palmers Kidnapping of 1977 "on 1 November at 17h 30 in the passage cinema universe, 04109 Leipzig, Big Fleischergasse 11 as shown. (Earlier today, on 31 October at 20h in the Cinémathèque)
To 20h refers to the "Liebknecht-Haus', near the cinemas, 04107 Leipzig, brewing Straße 15, at the" bottom ", a press and panel discussion Title:
The "armed struggle" beyond the offender-victim ideology
instead.
are the director Alexander Binder , Karl-Heinz Dellwo (RAF), Reinhard Pitsch (APG, protagonist), Gabriele Rollnik (Movement 2 June, RAF, female protagonist) to participate.
Moderator Peter Feist is (Lt. d. R., Border Troops of the GDR, journalist).
In the film the first time a detailed description of the operational procedures will be given an action of "urban guerilla". Logistics could be indicated because of limitations criminal circumstances only. In the German criticism of this movie than in Germany is not possible "perpetrator film" was called.
catalog text: A
(especially financially) not unimportant chapter in the left-wing German terror took place on 9 November 1977 Stage''country''from Austria, when the industrialist Walter Palmer was kidnapped. 31 million shillings was put into the household budget,''the second movement June''that is often referred to as a sister organization of the RAF urban guerrilla, who was next to Inge Viett, Juliane Plambeck including Gabriele Rollnik. It is the only German interlocutor in the Talking Heads-dominated, yet extremely exciting Alpine republic-portrait of a different kind main actors are three then a young, left-wing student representatives committed Austrians (presumably the only OESIS in the armed struggle) - Othmar Keplinger, Reinhard Pitsch and Thomas Gratt. The latter took before the Premiere des Films, für den er sein fast 30-jähriges Schweigen brach, das Leben. Im Film reflektiert er mit erstaunlich seriöser Hartnäckigkeit über seinen Weg in die Illegalität und eröffnet damit einen Diskurs über den Terrorismus, der sich jenseits aller Lächerlichkeit bewegt und weder an einem poppigen RAF-Ikonen-Kult noch an der Selbstverständlichkeit einer vermeintlich humanistischen Vernunft der Gewaltlosigkeit partizipiert. Im Lande der ironischen Gemütlichkeit und der lockeren Zunge scheint ja doch noch einiges sagbar zu sein, was im deutschen Feuilleton-und-Bild-Jargon irgendwie untergehen würde. Doch eine Insel? - Barbara Wurm
